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 Verfasst am: 07. Okt 2022 09:22 Titel: 5 iconic Japanese actresses of the golden age |
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5 iconic Japanese actresses of the golden age
No list of great Japanese actresses would be complete without Kinuyo Tanaka, who made some 250 credited appearances over a period of over 50 years, beginning with Hotei Nomura’s Woman of the Genroku Era (1924). Tanaka is equally important as the first Japanese woman to direct a significant body of work, making six films from Love Letter (1953) to Love under the Crucifix (1962), although she only appeared, if at all, in minor roles in her own films.To get more news about 亚洲国产精品嫩草影院, you can visit our official website.
Tanaka is most fondly remembered for her roles for Kenji Mizoguchi, with 15 collaborations between 1940 and 1954. Her appearances in The Life of Oharu (1952), which charts her relentless descent from imperial court attendant into penury and prostitution, as the abandoned wife in Ugetsu Monogatari (1953) and as the mother whose children are sold into slavery in Sansho Dayu (1954) resulted in three of the most poignant and beautiful films ever produced in Japan.
Setsuko Hara’s unnerving ability to appear both modern and independent, while embodying traditional feminine virtues of demureness, politeness and emotional restraint, made her the most internationally recognisable Japanese actress. As the unwedded daughters or steadfast widows in the immaculate and deceptively simple films of Yasujiro Ozu, she was similarly immaculate and guileless.
The scholar Inuhiko Yomota called Yamaguchi Yoshiko one of the most important Asian women of the 20th century. She was certainly Japan’s most politicised performer. Born in Manchuria to Japanese parents, and fluent in Mandarin, it was in the productions of the Japanese-backed Manchuria Film Association that she made her name – although not her own name one should add, but that of Li Xianglan, or Ri Koran to the Japanese.
Born in Osaka as Motoko Yano, she adopted her stage name after joining the Osaka Shochiku Girls Opera as a dancer. She followed her screen debut in Shochiku’s Tengu Daoshi (1944) with a more substantial part in Mizoguchi’s Three Generations of Danjuro (1944). Her turning point in film came when she joined Daiei in 1949, and was groomed by studio president Masaichi Nagata as a glamour girl in the vein of Jane Russell and Marilyn Monroe.
Though she doesn’t have the status she once had, Sachiko Hidari was for a time celebrated both at home and abroad. She received the Silver Bear award for best actress at Berlin in 1964 for two standout roles: the earthy country girl who rises to the top of Tokyo’s flesh trade in Shohei Imamura’s The Insect Woman (1963), and the newlywed facing a lonely tenement block existence in the New Wave documentary realist work, She and He (1963). The latter was directed by Susumu Hani, to whom she was married between 1958 and 1977. She also appeared in his Bride of the Andes (1966), as a mail-order bride shipped in to Peru. |
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